Heroes Rise on Steam

Choice of Games has brought their Heroes Rise series to Steam, making it the first all-text game distributed that way. (Steam also carries a few other things I would consider interactive fiction, such as Depression Quest, and IF’s relative Sunless Sea. But those games are somewhat more visual.)

CoG would like to bring more text games to Steam in the future, but the possibility of that will depend on sales, so they can use some support from Steam-using IF fans.

Latest Discussion Transcript

I’ve now posted last night’s transcript from the IF Discussion Club, this time on interactive nonfiction. It was a sparser session than some have been (people are busy on sunny summer afternoons!), but touched on a few different problems, including the question of how much “nonfiction” can be applied to anything interactive.

The proposed topic for next time, July 12, is testing. For perhaps obvious reasons, this doesn’t come with a reading list of games, but we’ll be interested to talk about testing methodologies and the various challenges that come with different forms of IF.

That said, if you want something provocative to read on the topic, may I recommend Mattie Brice on the Death of the Player?

Play- and player-centric design are usually interchangeable terms, but I’d like to make a stronger distinction between them. My main quibble with player-centric design is the fetishized iterative process, where you take a prototype and get players to playtest it. Sometimes, this is useful; if it’s very important to you that someone feels a certain way or does a certain thing, playtesting is a method to achieve that. When I made Mainichi, I released it without any playtesting and iteration. Because players have a tendency to want agency and a positive trajectory, their input would have been useless to me. As well, the game was made for a friend to understand something. I couldn’t playtest the game with them and then ‘release’ it after. It would be like asking your crush to read and edit the love note you want to pass to them one day. With games that use personal experience as a main part of their design, player input through playtesting washes out their voice. If your game leaves out traditional qualities and emphasizes voice, then player-centric design is a useless paradigm for you.

So perhaps it’s also worth talking about what testing does to a game — squeezes, squishes, alters, in ways that might be good or bad.

Blood & Laurels now in the App Store

As promised: Blood & Laurels is now live in the App Store.

Versu

Cults. Conspiracies. Poison. Stabbing. Blackmail. Seduction. Prophecies and rumors. Divine wrath — or possibly just bad weather.

Our new Versu game, Blood & Laurels, is now live in the App Store for iPad.

With more than 10 times as much authored text as you are likely to see in a single playthrough, Blood & Laurels adapts strongly to what you choose to do, and what you choose to explore. Scheme, romance, murder, or choose your own ideals and stick to them. It’s up to you.

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News about Versu and Blood & Laurels

An announcement from the relaunched versu.com site:

Versu

Until February of this year, the Versu project had its home at Linden Lab, exploring the possibilities of interactive storytelling with advanced character AI by Richard Evans (Sims 3, Black and White) and dialogue modeling by Emily Short (Galatea, Alabaster), as well as work by authors Jake Forbes (Return to Labyrinth) and Deirdra Kiai (Dominique Pamplemousse).

Regency-era comedy of manners and a modern office comedy stories, released for Versu, had received significant attention in various forms, including an appearance at GDC’s Experimental Gameplay Workshop, an award for best AI in an independent game in 2013, and coverage at Edge Online and New Scientist.

When the Lab decided to refocus its offerings and cut support for Versu, the project was only three days from launching a Roman political thriller called Blood & Laurels. Blood & Laurels represented a significant step forward in complexity and depth from previous Versu…

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ShuffleComp Conclusions, and a couple more reviews

The ShuffleComp results are in, with the top third of the games earning “commended” status.

I didn’t get to play all of the works during the competition period itself. There were 33 games, as many as in a typical IF Comp, with a shorter play window, and while some of the games were little five-minute pieces, many of them were surprisingly involved.

Continue reading “ShuffleComp Conclusions, and a couple more reviews”