There’s a review of Bronze on IFDB that I’ve been thinking about a lot lately.
After hearing so much about Bronze, I was expecting a very satisfying and pleasurable experience. This was not the case for me… I came away feeling like the entire experience was rather hollow and somewhat forced… Beauty and the Beast is a beautiful love story, but in this version of the tale, I felt that the protagonist’s relationship with the Beast lacked very much warmth or deep love.
This is a challenging review for me. Obviously, I’m sorry the reviewer didn’t have a good time. It’s possible that I could or should have done something to frame the presentation of the game to make clear that it was not going to be a traditional fairy tale happy-ending romance. (The closest thing to that I’ve ever written is Pytho’s Mask, which, not coincidentally, has some pretty shallow characters and a heavily gender-bound treatment of love; even so some subversive elements snuck in before the end.) Perhaps I seemed to offer something the game was never going to deliver — and, for what it’s worth, I do think that players have the right to want specific things from their games. Indeed, if the player doesn’t want something, she’s not likely to play for long.
However. The unromantic aspect of the game is not a mistake. On the contrary, it is the summation of the effort and thought that went into its creation.
) is set in a slightly alternate version of a historical setting, designed to allow the player to play as either gender, seeking a partner of either gender, and to give players with female characters the opportunity to exercise more agency than would otherwise have been available.
Emily Short's Interactive Storytelling 