Spring Thing 2019 is now open. The second-biggest regular competition of the interactive fiction calendar, this year it has 20ish games including both choice-based and parser-based work, some experimental and some more classic in style. I haven’t had time to play nearly all of them, but here are a few I’ve had a chance to look at so far:
Liza Daly has for several years been working with her own custom Windrift system, which produces lovely and typographically pleasing browser stories like Stone Harbor and Harmonia.
The Ballroom is a piece in this system where you can tweak certain details of the story in order to mutate it towards being a different story entirely. What starts as a disappointing anecdote in the life of an impoverished Regency miss can turn in other, rather startling directions as you alter your protagonist’s clothing and social choices, and the rest of the scene changes in consequence. Initially that stays within the Austenesque world, but it soon starts genre-hopping.
There is a logic of world features that persist through significant changes of genre and tone, that reminded me in some ways of Dual Transform or Invisible Parties. And the way you have access to the whole temporal sequence at once and can change the state of things earlier or later in the narrative as you choose, felt a bit Midnight. Swordfight. (though it’s definitely smaller than that work).
Meanwhile the player’s role in the game is not exactly protagonist or co-author — you don’t have enough control to really be responsible for the authorship of the story, but you’re also not straightforwardly a single person in the narrative, either.
Imaginary Game Jam is an IF community project, run by Jason Dyer, in which participants first contributed reviews of imaginary, perhaps unwrite-able games — in some cases games that plainly require technology we don’t have, or belong to a universe we don’t live in. These reviews were swapped, and then people wrote… something… to correspond with an imaginary game review they’d received.
Structurally this is a bit like ShuffleComps 1 and 2, in which authors wrote games around tracks of music selected by other participants — only way weirder. Sam Ashwell’s game reviews from Tlön were an inspiration here — indeed, one of those reviews (Fire Next Time) was submitted and used in this jam. (See also Speed-IF Jacket for a shorter, less serious take on this idea; for the reason why these posts refer to “Tlön”, see Tlön, Uqbar, Orbis Tertius.)
The games created for the Imaginary Game Jam have now been released, along with the reviews that inspired them. They are fairly extraordinary. Continue reading
The 21st annual Interactive Fiction Competition is currently on, through mid-November. Voting is open to the general public; the only prerequisite is that you not be an author, not vote on games that you tested, and submit votes on at least five games. (You emphatically do not have to have played them all! In a year with 55 entrants, it is very unlikely that most judges will get through anywhere near all of them.)
If you are looking for other reviews, this ifwiki page contains a list of places currently carrying them.
Life on Mars? is a parser-based, puzzleless game by Hugo Labrande. It was originally in French, and won the French IF competition in 2014. It took me less than an hour to play, and I reached what I believe is the only available ending. (Until last year, translations of existing IF were forbidden in IF Comp because of the “no previous releases” rule; that rule has now been loosened in the case that the translated version has not been seen before. I’m really excited that this rule change bore fruit in the 2015 competition and that it is bringing some of these pieces to a new audience.)