I am a professional writer–22 years plus of making my living from my pen–who is just now sticking my toes into the world of IF… I recently had a chance to revisit the world of IF in drawing up a planned project for a grant proposal. It’s been many years since I’ve played in this world, and it’s changed monumentally. Your blog has been tremendously helpful in giving me an overview.
I haven’t yet, however, come across an entry from you where you really get into the nuts and bolts of which engine you consider the best for independent writers hoping to create a commercially successful game as a phone app.
Like a lot of newbies to this form, I don’t come from a programming background, and have little facility with coding. After trying Adrift and Inklekwriter, along with a couple of others, I settled on Quest, but I’m finding the lack of a GUI and the amounts of coding that are expected pretty daunting.
Before I jump down yet another half-dozen rabbit holes to try to find the best solution for me, I thought I’d ask you. What, right now, November 2017, would you recommend as the best IF engine for creating content for a phone-based app, that would work best for experienced writers with little coding experience?
So the short answer to this is: I don’t know of any solution that requires no programming or technical savvy, but that will let you write free-concept, text-only IF and sell it on mobile, with reasonable odds of making money, and without going through anyone else’s platform.
“Commercially successful” does introduce technical requirements, because that does imply that you’re going to need attractive, non-generic screenshots, and that it has to be an app; merely being able to play the resulting IF on a phone, e.g. as browser-based IF, is not enough to meet the asker’s criteria.
Furthermore, most genuinely commercially successful IF has the advantage of an experienced studio putting it together (Big Fish’s Lifeline series, Choices), a really attractive front end/additional gameplay (inkle’s stuff), and/or a brand concept that has been developed with a bunch of titles over time (Choice of Games, Episode, Choices again).
Also, I consider “commercially successful parser” to be such a hard target that I’m not covering it here. And it’s harder to get solid results out of a parser game unless you’re willing to code more. So I think we can rule that out.
However, there are a few approaches that I consider currently realistic, given the right combination of circumstances.