Tag: Shade

Cover Art Drive

IF Cover Art Drive is now officially running. From now until April 30, I am collecting IF cover art on Flickr. There are a few pieces already there, but more will be posted as they’re contributed.

The idea here is to try to collect contributions of art to serve as cover images for existing IF. There are two reasons to do this: first, to make IFDB more attractive and less pure-text; and second, so that people writing about IF on indie game blogs and websites will have something other than a screenshot of raw text with which to illustrate their articles. (More about the rationale for this is here.)

[Edit: for reference, a list of how things stand.]

Cover art submitted and accepted, or submitted by author:

  • The Act of Misdirection, by Callico Harrison
  • An Act of Murder, by Chris Huang
  • Ad Verbum, by Nick Montfort
  • Adventurer’s Consumer Guide, by Øyvind Thorsby
  • All Hope Abandon, by Eric Eve
  • All Roads, by Jon Ingold
  • And the Waves Choke the Wind, by Gunther Schmidl
  • Attack of the Yeti Robot Zombies, by Øyvind Thorsby
  • Augmented Fourth, by Brian Uri!
  • Bad Machine, by Dan Shiovitz
  • Balances, by Graham Nelson
  • The Baron, by Victor Gijsbers
  • The Beetmonger’s Journal, by Scott Starkey
  • Being Andrew Plotkin, by J. Robinson Wheeler
  • Blighted Isle, by Eric Eve
  • Blue Lacuna, by Aaron Reed
  • Breath Pirates, by Mike Snyder
  • The Chinese Room, by Harry Giles and Joey Jones (pending revisions)
  • Coke Is It!, by various
  • The Cove, by Kathleen Fischer
  • Cryptozookeeper, by Robb Sherwin
  • Dangerous Curves, by Irene Callaci
  • A Day for Soft Food, by Tod Levi
  • Degeneracy, by Leonard Richardson
  • Desert Heat, by Papillon
  • Distress, by Mike Snyder
  • The Djinni Chronicles, by J. D. Berry
  • The Edifice, by Lucian Smith
  • Enlightenment, by Taro Ogawa
  • An Escape To Remember, by IF Whispers
  • Fate, by Victor Gijsbers
  • A Fine Day for Reaping, by James Webb
  • Fine Tuned, by Dennis Jerz
  • Firebird, by Bonnie Montgomery
  • For a Change, by Dan Schmidt
  • Gardening for Beginners, by Juhana Leinonen
  • Gourmet, by Aaron Reed
  • The Gostak, by Carl Muckenhoupt
  • Help! My Vacuum Cleaner is Broken!, by Admiral Jota
  • In the End 2, by Adam Thornton
  • Katana, by Matt Rohde
  • King of Shreds and Patches, by Jimmy Maher
  • The Land of the Cyclops, by Francesco Cordella and Simone Di Conza
  • LASH, by Paul O’Brian
  • Learning to Cross, by Mark J. Musante
  • Legerdemain, by Nathan Jerpe
  • Letters from Home, by Roger Firth
  • Losing Your Grip, by Stephen Granade
  • Lost Pig, by Admiral Jota
  • Luminous Horizon, by Paul O’Brian
  • Lunatix — The Insanity Circle, by Mike Snyder
  • Lydia’s Heart, by Jim Aikin
  • Masquerade, by Kathleen Fischer
  • Moon-Shaped, by Jason Ermer
  • Mother Loose, by Irene Callaci
  • My Name is Jack Mills, by Juhana Leinonen
  • Not Just an Ordinary Ballerina, by Jim Aikin
  • Nothing But Mazes, by Greg Boettcher
  • Pass the Banana, by Admiral Jota
  • Persistence of Memory, by Jason Dyer
  • Photograph, by Steve Evans
  • Revenger, by Robb Sherwin
  • Rameses, by Stephen Bond
  • Ribbons, by J. D. Berry
  • Scavenger, by Quintin Stone
  • A Simple Theft, by Mark Musante
  • Snowblind Aces, by C. E. J. Pacian
  • Square Circle, by Eric Eve
  • Tales of the Traveling Swordsman, by Mike Snyder
  • The Tarot Reading, by Michael Penman
  • To Hell in a Hamper, by J. J. Guest
  • Trading Punches, by Mike Snyder
  • Treasures of a Slaver’s Kingdom, by S. John Ross
  • Undertow, by Stephen Granade
  • Voices, by Aris Katsaris
  • Waystation, by Stephen Granade
  • The Weapon, by Sean Barrett
  • Wearing the Claw, by Paul O’Brian
  • Whom the Telling Changed, by Aaron Reed
  • Worlds Apart, by Suzanne Britton

Cover art submitted and declined; submitted and unanswered; or supplanted by other art:

  • Aisle, by Sam Barlow
  • Anchorhead, by Michael Gentry
  • Chicken and Egg, by Adam Thornton
  • Choose Your Own Romance, by David Dyte
  • Christminster, by Gareth Rees
  • The Corn Identity, by IF Whispers
  • Deadline Enchanter, by Alan DeNiro
  • Delusions, by C. E. Forman
  • A Dino’s Night Out, by Aris Katsaris
  • Downtown Tokyo, Present Day, by John Kean
  • Elizabeth Hawke’s Forever Always, by Iain Merrick
  • Goldilocks is a FOX!, by J.J. Guest
  • Guess the Verb!, by Leonard Richardson
  • House of Dream of Moon, by IF Whispers
  • Janitor, by Peter Seebach and Kevin Lynn
  • Lost New York, by Neil deMause (would prefer no future cover art be created)
  • The One That Got Away, by Leon Lin
  • Rematch, by Andrew Pontious
  • Shade, by Andrew Plotkin
  • She’s Got a Thing for a Spring, by Brent VanFossen
  • Sins Against Mimesis, by Adam Thornton
  • Sting of the Wasp, by Jason Devlin
  • Theatre, by Brendon Wyber

Cover art submitted:

  • A Change in the Weather, by Andrew Plotkin
  • Delightful Wallpaper, by Andrew Plotkin
  • Hunter, in Darkness, by Andrew Plotkin
  • Spider and Web, by Andrew Plotkin

Cover art in progress:

Cover art requested:

Cover art “opted out”:

  • Building, by Poster

Continue reading “Cover Art Drive”

IF Competition Discussion: General Observations & Favorites

I’m done playing the games I’m going to play this year (skipping the Windows-only games, Jealousy Duel X which apparently runs on the Macintosh only under Classic, and the Quest game, which Spatterlight refused to cope with), and have submitted my votes.

A list of favorites and thoughts on the competition as a whole follow the cut. There are no specific spoilers for specific games, but people preferring to remain free of influence may want to skip reading until they’re also done playing.

Continue reading “IF Competition Discussion: General Observations & Favorites”

IF in the ACM literature, Part Four

I’ve been saving these for last, because they’re really the juiciest: a couple of articles authored or co-authored by Mark Bernstein.

Bernstein is the founder of Eastgate Systems, a company promoting serious hypertext. They sell a small but — within the hypertext community — highly respected collection of hypertext fiction and nonfiction, at serious book prices: much of it runs from $25 to $45. And they produce and sell Storyspace, a tool for hypertext creation. This is a niche market: the major works are self-consciously literary or pedagogical, and I think it would be fair to say that IF in general is a more populist form. At the same time, hypertext is a more successful niche market than IF: how many of us are selling IF game files at $45 a pop? how many would feel ballsy enough to try? And, leaving aside the commercial, hypertext also gets studied more extensively by academia, taught in more new media courses, and generally considered more serious.

Some of this has to do with accidents of community — with the sorts of people who happened to be drawn into creating each kind of thing, and with the ways in which they framed and presented their finished products. But I also think the media favor different kinds of content, and it’s interesting to look at why.

Continue reading “IF in the ACM literature, Part Four”