[For a couple of years now, I’ve reserved the first Tuesday of the month for a review of a book on writing or game design that might be of interest to IF folks. I’m still doing one of those in March, but it will come out the 19th, while I’m at GDC.
Instead, this post is part of a short series on Character Engine and what we’re doing at Spirit AI. I’m writing these posts with IF and interactive narrative folks in mind, but more general-audience versions of the same content are also appearing on Spirit’s Medium account. Follow us there if you’re interested in hearing regularly about what Spirit is up to.]
Knowledge and memory are a somewhat vexed area for game characters. It’s easy to think of characters who don’t remember the last fifty times you asked them the same exact lore question, or are strangely forgetful about the ways you’ve harmed them, or who aren’t equipped to answer common-sense questions about the world they live in.
So why is this a problem? Simply recalling that something has happened is not the main challenge. We can set flags; we can assign variables; we can check on quest journals to see what the player has already done. We can refer back to whatever data store is otherwise tracking world state in this game.
The hard part is building a system where
- everything important to remember is stored in a reasonably systematic way
- differences between world truth and character knowledge are handled as much as (and no more than) useful
- there’s a way to track and author for the combinations of possible state so that the NPCs always have something to say about what they remember and know
There are quite a few technical, design, and writing challenges packed into those three bullet points.
March 1 is the deadline for artists to send an 
The 
is the deadline to apply to attend GAIA, a three-day event in Buenos Aires in November. GAIA is being organized by 
Emily Short's Interactive Storytelling 